Young Mr. Feldman owned the kid version of the dog, but the adult side of the part was nothing but temporary scratch track, and it was starting to be a problem. But Mr. Cooper wanted more money than the studio was willing to pay, so it was adios, Jackie. Time continued to tick away. Scene and sequences were stacking up, and the directors were starting to get uptight.
When Art was about ready to pull his hair out, Kurt Russell came in to read and nailed the role. Kurt was shooting his Elvis made-for-TV biopic at the time, and arrived on the recording stage sporting a white sidewall haircut for his Elvis-in-the-army scenes.
He was prepared, energetic, and highly cooperative, and he went through more than half the picture in a single afternoon. It took only one more recording session for Mr. Russell to finish the job. But there was still one more issue that was driving some of the younger Disney staff including me to distraction. Michael Eisner lounged his six-foot-four frame in a conference room chair. He was wearing jeans and sweatshirt, but why not?
It was a Saturday morning. Ron Miller knew it was comedy, and his smile got wider. You did. You really did. Juana's eyes were open too. Kino heard the little splash of morning waves on the beach. That was very long ago. His blanket was over his nose to protect him from the dank air. Coyotito looked up for a moment and closed his eyes and slept again. He saw the specks of Gulf clouds flame high in the air.
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The Song of the Family came now from behind Kino. It was all part.
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It would be a clumsy fight. As he came through the door Juana stood up from the glowing fire pit. The scorpion moved delicately down the rope toward the box. Kino stood perfectly still.
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The thorned tail jerked upright. But Juana had the baby in her arms now.
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He closes his eyes and listens to the sound he calls it a "song" of the waves on the beach outside more setting clues. Juana gets up and goes to check on their son and makes corncakes on a grinding stone while Kino heads outside and watches the dawn. As a dog curls up near Kino, we are told that "It was a morning like other mornings and yet perfect among mornings. And then… something happens. Both Kino and Juana see a scorpion on the hanging cradle and freeze in place. Kino then "hears" another "song," this time "the Song of Evil. Kino, meanwhile, decides that action would be better than no action.
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He moves silently across the room and reaches his hand ever-so-gently toward the scorpion. The scorpion, being a creature of acutely sensitive hearing, raises its very poisonous tail in caution. Kino grabs the creature and mashes it to a paste, but not before it strikes Coyotito. Juana takes the screaming baby and tries to suck out the poison; Kino feels helpless.
Everyone realizes the baby may die.